Pablo Agma (Vigo, Spain, 1997) is a filmmaker and audiovisual artist based in Vienna. His practice unfolds between experimental cinema, performance, and the use of analog media such as 16mm, Super 8, and VHS. The fragility of these formats transforms our relationship with the image, distancing it from the conventional frameworks that shape its production and reception. Abjection and obsolescence are reclaimed as tools for formal and conceptual resistance.
Working through a poetics of misalignment, he explores how subtle deviations in symbols, archetypes, cultural gestures, and cinematic conventions can open fissures in dominant narrative structures. These shifts often take shape through autofictional figures mediated by error, ritual, or masking. Presences that rehearse alternative ways of appearing within an order shaped by the normativity of the visible.